By Nancy Spiller Alec Egan's painting "Dawn House," in his show "Groundskeeper" at Vielmetter Los Angeles, is tender, serene, and calm — a lavender and peach sky sheltering the triangular top of a house flanked by two palm trees and the tip of a cypress. In its companion painting, "Night House," the sky takes a sinister turn with layers of dark blue, sunset orange, and a roiling strip indicative of flames mixed with what might be smoke. It hints at something of what Egan, his

By Jorge Rodriguez-Jimenez Gustavo Rimada is showing his third solo show and largest to date at Thinkspace Projects. The show, titled “Rhythmic Sequence,” brings together his masterfully vivid acrylic paintings and his newly found love for ceramics. Offering mugs with faces that both haunt and delight, Rimada, who was born in Mexico and raised in California, is blending his Mexican heritage and his California lifestyle to create bold and culturally stunning works of art. Rima

By Katherine Kesey In the last few years, Los Angeles's Melrose Hill neighborhood has quickly become one of the city's most walkable arts districts. This past Saturday night, there were nearly ten coordinated openings, and I attended almost all of them. Taken individually, the shows were equally captivating. Together, they were a warm and exciting medley of passionate color, lighthearted mystery, and wry humor. Hannah Tishkoff, Beyond Love There is No Belief. 2026. Acrylic, o