By Melanie Chapman Timed in conjunction with the Taschen publication "My Education," the first book-form retrospective of photographer Bruce Weber's multi-decade career, the new exhibition now on view at Fahey Klein Gallery, Bruce Weber: Try a Little Tenderness, is worth more than one visit. Likely due to Weber's genre-defining success as a fashion photographer for Calvin Klein, GQ, Vogue, etc., particularly at its height in the 1980s and '90s, the line for the recent gallery

By Barbara Patterson Zarina Van Ranzow's debut solo exhibition featuring work from her ongoing series Let it Bleed and Music for Lovers opened on May 8 at STONE/AGE Studios in East Los Angeles. Drawing from archival photographs of the artist's family and portraits of a variety of musicians, the series adapts photographic content into oil and airbrush paintings that pick up where the camera leaves off. Diffusing the harsh, resolute forms that photography's understanding of the

By Mary Singh Los Angeles has been in a prolonged conversation about monuments. Co-organized by The Museum of Contemporary Art and The Brick, and co-curated by Hamza Walker, Kara Walker, and Bennett Simpson, earlier this year, "MONUMENTS" brought ten decommissioned Confederate statues into the Geffen Contemporary's vast industrial space, placing them in direct dialogue with contemporary works by nineteen artists. Praised by the Los Angeles Times as "the most significant show