Kristine Schomaker

At 55, Marni Myers is fired up about cyanotype multi-layering. They're investigating the expressive possibilities of alternative photographic processes through cyanotype, layered imagery, hand-applied toners, and embroidered details. Their approach resists precision in favor of painterly textures, imperfect edges, and tactile presence, revealing their hands-on approach within a process historically tied to replication and science. Since they reached 50, their dedication to their craft...

At 52, Heather Powers is exploring mud and clay resist pattern texts on fabrics combined with natural dyes. They're working with indigo, captivated by the shades of blue it yields. There is a process of alchemy that transforms humble plants' leaves into royal shades of indigo. There's been a continuous thread—they're a weaver and fiber artist—throughout their creative career. For the early part, they were focused on developing technical skills and a personal language through patterns, colors,...

At 50, Nicole Gammie has the chance to experiment and play. They're combining textile art techniques—bobbin lace and passementerie—creating work at the intersection of tradition and innovation. Learning and experimenting with lace and stitching began at an early age with numerous informal opportunities at school and in the community through classes and attending craft groups. Living around much of south-eastern Australia provided chances to investigate a range of lace and embroidery...