By Kristine Schomaker I spent this afternoon at Nomad and Tryst at Del Amo Crossing and honestly? I needed that more than I knew. Walking...

By Kristine Schomaker Alicia Serling treats her energy like a palette. After months of burnout, she's learned to mix equal parts...

By Kristine Schomaker James A. Faulkner works with fragments—pieces of old photographs, vintage ephemera, and found materials that he...

By Kristine schomaker Gal Mariya Rivers prepares to reveal her face after a decade of anonymous body liberation I'm looking at a photo of...

This is the first in an ongoing series exploring how artists are navigating our current political climate. I'm talking to artists about...

By Kristine Schomaker Monica Marks has been driving past abandoned homesteads for years. Windows down, camera in the passenger seat,...

By Kristine Schomaker Wendy Lee Gadzuk finds treasure in burn piles. Her current show Love Languages  at La Luz de Jesus Gallery emerged...

By Kristine Schomaker Paul Bojack's Yes You  at Z83 does something most art can't: it makes you the subject. Step into one of the private...

Incarnation - Biltmore 2025 Oil on canvas 24 x 20 inches / 61 x 50.8 cm "I think of my work as the residue of my pondering," Beryl Odette...

By Kristine Schomaker Alexandra Wiesenfeld paints like she's mapping uncharted territory—because she is. In her Los Angeles studio,...

By Kristine Schomaker There's something deeply wrong when an artist can spend seven years making work about gun violence in schools and...

By Kristine Schomaker There's something disarming about an artist who describes their work as "imagine Picasso, but not quite!" There's...

By Kristine Schomaker There's something deeply satisfying about watching someone embrace chaos with complete confidence. Marianna Baker...

Karla Funderburk, Photo by credit Isabella Mancebo Karla Funderburk Los Angeles, CA Age 64 In collaboration with Robyn Richardson I...

By Genie Davis Artist Julie Green is opening Patterns and Tones for a Paper Ballet  at Keystone Gallery June 21st. The exhibition has...

Opening June 7th at Shoebox, Araújo's first solo exhibition since losing her Altadena studio explores memory, loss, and the creative...

In a world where networking often feels transactional and intimidating, Shoebox Arts has created something refreshingly different: Speed...

By Genie Davis The San Diego-based Feminist Image Group, known as FIG, presents two key exhibitions in LA this month. Women Work Together...

Photos by Portia Iversen   Shoebox, Los Angeles November 17 – December 8, 2024 Written by Portia Iversen We gather at Shoebox, a small...

Written by Genie Davis The Dark Bob’s New Musical Work Hums with Fun and Reverence   The Dark Bob is bringing wit and musical wisdom to...

What does a day in your art practice look like? First, Thank You for inviting me to participate in this Art And Cake interview.😊 A...

PC Patricia Fortlage What does a day in your art practice look like? I’m a part time high school art teacher and also a mother of three,...

Robin Raznick Los Angeles, CA Age 63 What keeps you excited in the studio? Gosh, I have so many ideas and not enough time to execute them...

PC Mattie from Curator&Co Sheila Daube San Diego CA Age 62 What keeps you excited in the studio? For me, art has always been about...

J. Jay West Kamuela, Hawaii Age 69 What keeps you excited in the studio? - Visualizing my next piece. - The land and ocean that surrounds...

Photo Essay by Kristine Schomaker No words necessary... On view through January 5th

What does a day in your art practice look like? Every day is different for me, which is why I love being an artist. Some days I dedicate...

Erica Martin Los Angeles CA Age 64 What keeps you excited in the studio? The chance for the muse to grace me with an idea. Looking back...

Welcome to our Art Advice Column, "The Artist is IN," where contemporary art concerns meet practical guidance! Whether you're an emerging...

“Desert Forest: Life with Joshua Trees” September 7 – December 29, 2024 Presented by Getty PST ART Digital Program By Betty Ann Brown...