By Tatou Dede T: How did you end up here, being an artist today? A: I think it depends on how you define the term artist. I was always in theatre since, maybe, kindergarten. When I was a child I used to produce and direct sort of nonsensical plays for my schools, wherever I was, in Oakland, San Francisco, and Berkeley. So every year I produced a very bizarre play that, for some reason, every school had me put on. And then I studied with the Berkeley Rep theater. After that I

By Melanie Chapman Timed in conjunction with the Taschen publication "My Education," the first book-form retrospective of photographer Bruce Weber's multi-decade career, the new exhibition now on view at Fahey Klein Gallery, Bruce Weber: Try a Little Tenderness, is worth more than one visit. Likely due to Weber's genre-defining success as a fashion photographer for Calvin Klein, GQ, Vogue, etc., particularly at its height in the 1980s and '90s, the line for the recent gallery

By Barbara Patterson Zarina Van Ranzow's debut solo exhibition featuring work from her ongoing series Let it Bleed and Music for Lovers opened on May 8 at STONE/AGE Studios in East Los Angeles. Drawing from archival photographs of the artist's family and portraits of a variety of musicians, the series adapts photographic content into oil and airbrush paintings that pick up where the camera leaves off. Diffusing the harsh, resolute forms that photography's understanding of the